![]() But the rest of the story lacks clarity and dynamism, and in a few places, just looks like it was done under rushed circumstances or by an artist whose skills weren’t up to the task of, say, drawing the Enterprise correctly. Palmer, clearly, has a few moments to shine. There’s some very nice work here as far as likenesses. The art struggles to keep up with the story. I don’t think any of the proportions in this panel are corrct. Not that that’s not normal for comic books, but it’s not done with sufficient energy or verve to work here. There’s a lot of repeating in these stories and not a lot of original ideas coming through. It’s also a good example of the original series format creating too much of an echo chamber. It’s clear this is a pretty difficult comic to write for, mostly because too many of the scripters are trying too hard to do a TV episode instead of a comic. ![]() He also wrote episodes of Stargate Atlantis and Star Trek: Enterprise under the pen name Michael Bryant. Law, for which he won an Emmy award in 1991. This issue is notable in that it’s one of the first comic book credits for Alan Brennert, who has written many fine novels and episodes of TV series like the 1970s Wonder Woman, Buck Rogers in the 25th Century, The Twilight Zone and L.A. Cover art assumed by to be penciled by Joe Brozowski and definitely inked by Tom Palmer.Ĭover artists: Joe Brozowski & Tom Palmer
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